Distortion algorithms (in pop-up), plus Voice Settings – tweakable parameters – at top. Honestly, if a single section made me wish Arturia made this instrument as hardware, it’d be the distortion section. There’s greater diversity than in some competing products, and it’s convenient to be able to dial these in exactly and save them with a patch. Anyone playing the Arturia drinking game, take a shot.) These nicely vary from very subtle to very intense – I’m especially fond of that raunchy transistor. It’s enabled per-step in the sequence, which is great for variations, though it doesn’t retrigger – so if you toggle a series of adjacent steps, it’ll continue to modulate uninterrupted.ĭISTORTION gives you a ton of options, as you’d expect, including tape, tube, transistor, diode, crunch, overdrive, something called “thick,” and other models. VIBRATO is basically a fixed LFO that can be extended from slow pitch drift all the way up to audio-rate, FM-style modulation. The SUB OSC is a big deal, especially as you can push its level up with the BASS BOOST voice setting. You’ll also see some immediate additions. You can’t program 303-style on the Acid V – there’s only the modern sequencer option – so you’ll use those buttons mainly for transposition and simple triggering. The main UI gives you all the basic 303 controls – pitch, cutoff, resonance, env mod, decay, accent, and the waveform switch, plus a row of trigger-able buttons and HOLD. But let’s look what’s going on on the interface. If you just want a strong 303 emulation, some more out-there acid-y extras, and a bunch of preset patterns and sounds, Arturia of course has you covered. So let’s instead assume that what’s appealing about Arturia’s take is the ability to expand on what a 303 is and add in other ideas. I doubt seriously you’d choose this one for authenticity alone, though, given the competition from Roland Cloud, Audiorealism, and D16, among others. The Acid V sounds really good, and you can tweak it in a way that makes it sound like original 303 hardware – or even what you imagine sounds more like the original hardware – with voice settings. There are also some nice extras like the ability to map the hold to a sustain pedal.
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